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          | 內容簡介: |   
          | IbsenhasremainedapopulardramatistinChinaandhehasmadeanotablecontributiontoChinaintheprocessofitsmodernity.HewasoneoftheWesternwritersfirstintroducedintoChinaduringthestormyyearsatthebeginningofthe20thcenturywhenChinastartedtotransformitselffromafeudalisticnationintoamodernone。 |  
         
          | 目錄: |   
          | 1.Ibsen:AContemporayBangladeshiPlaywrightAhmedAhsanuzzaman 2.Ibsen’SCompass:PointsofDreadandDesireAnneCharlotteHanesHarvey
 3.OnPeerGynt:ACriticalReviewoftheAnnualPeerGyntPerformancein
 Golaa,GudbrandsdalenAstridSather
 4.NorwegianSuperman—or?WhattothinkasaNorwegianwhenIbsenhasgone
 global,withJohnGabrielBorkmanasexampleBenedikteBerntzen
 5.ADoll''sHouseandKramerVS.Kramer:ObjectionstoFamilyLawBjarneMarkussen
 6.SomeObservationsonIbsen’STheWifdDuckCharlesKalish
 7.TreadingonNewGround:AfricanAdaptationsof“ADoll’SHouse”CheelaFKChilala
 8.FromSelf.10sttoSelf.realization—Ibsen’SNoraandChineseWomen’S
 QuestforModernAiminChe?
 9.Multi—receptionsofIbsenisminChina.FromMisinterpretationt0Innovation
 LiangChen
 10.InterculturalisminTheatreandtheChinesePerformancesofIbsenChengzhouHe
 11.TranslatingIbsenin2009:AnApologyofLiteralityCristinaGomezBaggethun
 12.DiscordandHarmonybetweenHumanandNature:AnEcologicalInterpretationof
 TheLadyfromtheSeaDanniDai
 13.TheRoleofWomenintheReceptionofIbseninFinlandinthe1880sand1890sH.K.Riikonen
 14.InterculturalImplicationsofADoll''sHouse:ExperienceswithaProductionof
 Ibsen''sPlayinMozambiqueHelgeRearming
 15.TwoDissentingVoices:HaroldPinter''sMountainLanguageandHenrikIbsen''sA
 Doll''sHouseIbrahimYerebakan
 16.Ibsen''s"MasterBuilder":AChurch,aHouse,aCastleintheAirJanetRoberts
 17.TheCrisisintheSelfandtheSelfinTimesofCrisisJasminkaMarkovska
 18.TheThemeof"Discussion":Ibsen,ShawandDingXilinComparedJianSun
 19.MappingEtdukkehjemJulieHolledge
 20.IbsenandRabindranathMeetingPointsKazalKrishnaBanerjee
 21.PeerGynt''sBoundarycrossings:TheGlobalMapofHisEmpiricalandMentalJourneys
 KnutBrynhildsvoll
 22.BeyondtheTarantella:RevisualizingPainandPleasureinHenrikIbsen''sADoll''s
 HouseLauLeungChe,Miriam
 23.TheInteractionofTextsandPerformancesofIbsen''sPlays——IbsenintheDrama
 TeachinginShanghaiTheatreAcademyMinghouLiu
 24.IbsenintheGlobalizedSociety:Multiculturalism—ortheLackthereof—inNorwegian
 IbsenPerformanceLixianCheng
 25.ReceptionofIbseninLatviaduringtheSovietOccupation(1940—1991)MaijaBurima
 26.PostperestroykaReceptionsinStagingIbsenMargaritaOdesskaya
 27.PlaybirdorFeatherbrain?MayBritAkerhoIt,
 28.TranslatingInsen’SByggmesterSolnessintoRussianOlgaD.Drobot
 29.SingularlyBound:HenrikIbsenandTheatricalSurvivalOliviaGu/2n
 30.TheLadyfromtheSea:EmergenceFromMarineUnconscioustoAwakenedLivingRakesh
 MohanSharma
 31.Ibsen’SEnigmaVariations:Re—imaginingInterculturalPerformanceResearchRustom
 Bharucha
 32.TheUseofGunandtheMythofFreedomSabihaHuq
 33.“PoliticalOrgies”:Ibsen’SPlaysandContemporaryBangladeshShaftAhmed
 34.NorainADoll''sHouseandBangladeshPerspectiveShahMohammadSahaulkarim
 35.VerfremdungseffektinMabouMinesDollhouseSusanMason
 36.TheMakingofaWorldDramatist:IbsenandDetNorskeTheaterTanyaThresher
 37.IbseninBengal(easternIndia):NegotiatingDifferenceContemporaryBengali
 RepresentationsofWhenWeDeadAwakenandTheWildDuckTapatiGupta
 38.Ibsen''sUseofHolyDays:AnAmalgamofPhilosophy,PoetryandReligionTraustiOlafsson
 39.IbseninNigerianTheatre:DramaticArtsDepartment,ObafemiAwolowoIleIfe,Osun
 StateasaCaseStudyTundeBakare
 40.GlobalizingNoraandTorvald:OyamO''sASelfishSacrifice—inChina?VictorCastellani
 41.IbsenandUsigli.TwoCreatorsofaNationalTheaterVictorGrovasHajj
 42.RethinkingIbsen''sMultipleInfluencesonModernChineseDramaYuliWang
 43.ADoll''sHouseonChineseStageLanlanXie
 44.FeministAwakeningandSelfdefinitionAComparativeStudyofFemaleCharactersin
 ADoll''sHouseandJinPingMeiRulanYe
 45.TowardaRediscoveryofIbsen''sNationalHistoricalPlaysinChinaXujiaZhou
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