CONTENTS
【Chinese Classical Aesthetics】
A New Examination of the Original Meaning and Extended Pathways of the Character mei (美 ) ……………………………Xiao Qi ( 3 ) The Aesthetic Ideal of Harmonious Balance in the Zhou Yi: A Study of the Concepts of “Cheng” and “Fu” ……………… Xie Jinliang Li Zhilei ( 19 )
The Crisis of Replacement: A Study on the Acceptance of Replicated Ancient Jade between the Song and Ming Dynasties from an Aesthetic Perspective ……………………………………… Liu Tingting ( 33 )
Adapting and Renewing: the Innovation Aesthetic Metaphors in the Intertextuality of Boats ……………………………… Xiong Chengxia ( 50 ) On Wu Qiao’s Poetic Thought Centered on Imagery……………Chen Juan ( 66 )
【Artistic Aesthetics】
Calligraphy Value Nature: On the Relationship between Calligraphy and Nature， Freedom and Shi ……………………………… Gao Xifeng ( 85 )
Multi-dimensional Reflection on the “Nature” of Natural Aesthetics
in Chinese Literature ……………………………………… Gai Guang (101) Landscape Painting in the Five Dynasties and Painting Thoughts Transformation between Tang and Song Dynasties ………… Zhou Yixi (116)
Multi-Point Perspective and Seeing the Small from the Viewpoint of the Large: Examining Three Understandings of Reality in Chinese and Western Paintings through Nian Xiyao’s Shixue ………………Wei Jun (142)
“Creation in the Hands， Infinite in the Mind”: the Artistic Imagery
Creation and Construction Ideas in Songnian’s Painting Theory ……………………………………………………………… Zhao Jingjie (156)
The Fusion of Form and Mind: Painting Realm Theory of Teng Yizhe ……………………………………………………………… Shi Chunxia (173)
【Contemporary Aesthetics】
Three Dimensions of Chinese Aesthetics “Guan” Explanation by Overseas Chinese Scholars ………………………… Zeng Xutong (193) A Study of Zong Baihua’s Theory of “Rhythm and Vitality”
Through Sino-Western Mutual Learning …………………… Wang Yi (212) Fictionalism in Contemporary Esthetics ……………… Chen Changshen (229) “Great Beauty” and Poetic Spirit of the Yangtze River …………Zhou Jiwu (242)
【Western Aesthetics】
Imagination， Aesthetic Quality and Taste: Three Aesthetic Issues in The Theory of Moral Sentiments ……………………………Zhu Lili (259) Empathy Theory and Poetics between Eastern and Western: An Examination on Oonishi Yoshinori’s Aesthetic Thought ……………… Peng Yinglong (274) “Diagram” and “a Third Path”: The Kant Origins of Deleuze’s Time Theory of Art …………………………………………… Lin Zihao (292) “Becoming-China”: Deleuze’s Chinese Aesthetic Problems ………………………………………………… Liu Xin Ling Xueping (313) Perception and Expression: Vivian Sobchack on the Film Body and Film Experience ……………………………………… Wang Ningning (331) Revaluing Disasters: A Brief Introduction to Western Thoughts of Disaster ……………………………………………… Yang Xingyu (349)
【Book Review】
The Rethinking and Exploration of Research Methodology of Chinese Aesthetics: A Book Review of A Study on Research Methodology of Ancient Chinese Aesthetics ………………………………… Tan Yulong (367) The Construction of “Aesthetic Intermediary Theory”: A Review of Intermediary Mechanism of Mind and Brain in Art Aesthetic …… Song Jie (377)
Notice to Contributors ……………………………………………………… (391)
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